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Wokeism Again - Part 2
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Last night I got around tyo watching the second half of Dirty Harry.
As I predicted, the piece of dialogue where the psycho referred to the man he paid to beat him somewhat unkindly, referring to his ethnicity and parentage, was cut, but the graphic beating scene was left intact.
It's odd that the history re-writers appear to find a serious extremely violent beating on film as acceptable, but racial epithets are deemed inappropriate and censored out.
I expected as much, and was not surprised.
As I predicted, the piece of dialogue where the psycho referred to the man he paid to beat him somewhat unkindly, referring to his ethnicity and parentage, was cut, but the graphic beating scene was left intact.
It's odd that the history re-writers appear to find a serious extremely violent beating on film as acceptable, but racial epithets are deemed inappropriate and censored out.
I expected as much, and was not surprised.
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Naomi - as you are endlessly fond of telling me - you can think what you like, your thoughts are of no interest to me.
Except I would not be so arrogant and rude, so to address your point -
I don't think anyone making a film designed to appeal to mainstream audiences would use the 'n' word lightly.
Therefore I would be in favour, as I am with all culture being viewed in the context of its time, not to pretend that the word was not used, and frequently, in past times.
To me, hearing a word in context, and appreciating cultural and social history and evolution, will always win over some perverse desire to pretend that our history is something only ever to be ashamed of, coupled with a vigorous campaign to act as if it never actually happened.
Except I would not be so arrogant and rude, so to address your point -
I don't think anyone making a film designed to appeal to mainstream audiences would use the 'n' word lightly.
Therefore I would be in favour, as I am with all culture being viewed in the context of its time, not to pretend that the word was not used, and frequently, in past times.
To me, hearing a word in context, and appreciating cultural and social history and evolution, will always win over some perverse desire to pretend that our history is something only ever to be ashamed of, coupled with a vigorous campaign to act as if it never actually happened.
SurreyGuy - // I DETEST the warnings that we are given before programmes/news items.
The most stupid one I've heard so far was just before a broadcast of an MMA tournament. Viewers were warned that "the following programme contains scenes of fighting and violence"!! PATHETIC! //
I have no problem with them at all.
All ages and sensibilities watch television, and I would much prefer that someone who is not paying attention gets a fair warning, rather than be upset or offended by something they would not have chosen to watch, had they known about its content in advance.
As my OP points out, my beef is with the air-brushing of language and visuals to bring a piece of art from nearly fifty years ago into line with modern cencorial thinking.
An advance warning should take care of that as well, and people can enjoy a film as it was meant to be enjoyed.
Not so that it conforms with the views of hyper-sensitive attention-seeking arbiters of history, who feel that their self-appointed need to patrol culture on behalf of everyone else, allows them to pretend that historial language and situations actually never happened, instead of letting them be viewed in correct historical context.
The most stupid one I've heard so far was just before a broadcast of an MMA tournament. Viewers were warned that "the following programme contains scenes of fighting and violence"!! PATHETIC! //
I have no problem with them at all.
All ages and sensibilities watch television, and I would much prefer that someone who is not paying attention gets a fair warning, rather than be upset or offended by something they would not have chosen to watch, had they known about its content in advance.
As my OP points out, my beef is with the air-brushing of language and visuals to bring a piece of art from nearly fifty years ago into line with modern cencorial thinking.
An advance warning should take care of that as well, and people can enjoy a film as it was meant to be enjoyed.
Not so that it conforms with the views of hyper-sensitive attention-seeking arbiters of history, who feel that their self-appointed need to patrol culture on behalf of everyone else, allows them to pretend that historial language and situations actually never happened, instead of letting them be viewed in correct historical context.
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