Whilst I agree with you, I am saddened that so many people consider the "collection of songs from and inspired by" a movie to be the pinnacle of movie soundtracks.
What about such great composers as Basil Poledouris (Conan, Starship Troopers), John Williams (Jaws, Superman, ET), John Barry (various James Bonds, Somewhere in Time), Jerry Goldsmith (The Omen, various Star Treks), Michael Nyman (most Peter Greenaway films, The Piano), Ennio Morricone (The Mission, Once Upon A Time in America) and so on?
I'm not denigrating the art of choosing songs to fit a film or TV show (in fact, most "new" music that I discover comes from heading to TV.com after hearing a track on a show) but I find it disheartening when a collection of often already-popular songs is hailed as a great movie soundtrack by the masses when the work done by composers such as those listed above often goes unnoticed.
@ tonyted: I know what you mean - Murray Gold has written some lovely music for Doctor Who, but why does it have to be SO LOUD?