Adverts1 min ago
andys ....Bans you don't 'get'?...... music thread
23 Answers
Can anyone change his mind on the bands he 'dissed' ?
post only bands/artists on his lists ....
post only bands/artists on his lists ....
Answers
Best Answer
No best answer has yet been selected by Mick-Talbot. Once a best answer has been selected, it will be shown here.
For more on marking an answer as the "Best Answer", please visit our FAQ.Mick, thanks so much for this idea - wonderful!
OK - first off, I have of course listened to all the tracks, and I have realised that the common thread running through the majority that i don't 'get' is either the vocalist's voice - Morrisey, Albarn, Lee, Diamond, or the song structure which i can't get a comfortable handle on.
So, for that reason -
I LOVED The Fix, and will check out more of Elbow. I should alos say that I adore An Audience With The Pope. but felt utterly unmoved by the band's headline at Glastonbury last year.
Tender - nope, still got that cod-Cockney whine thing going on.
How Soon Is Now - i can never forget Bill Bailey's summing up of Morrissey - that he sings the same three notes up and down, and even the wide-screen technicolour grandeur of this tune can't hide his awful sound. That said, I brook not argument that What Difference Does It Make? represents an oasis of class in a desert of mediocrity - the sheer friving guitars and drums over-ride M's droning noise.
Spirit Of The Radio - nope, always found Geddy Lee's falsetto very odd, and the prog time signatures lose me quickly.
We Used To Know - the Anderson voice again kills it, as does the whimsey of their tumes.
That's Entertainment - Morrisey solo - irredeemable.
You Do Something To Me - I admit my perception of Weller is coloured by my meeting with him once, when he was very rude to me, and I still think Going Underground is a fabulous song.
Neil Daimond - I have always found his lyrics and his strructures to be off-kilter, and I seriously dislike his voice, and his increasingly awful wigs.
Thanks again all for your time and trouble - much appreciated.
OK - first off, I have of course listened to all the tracks, and I have realised that the common thread running through the majority that i don't 'get' is either the vocalist's voice - Morrisey, Albarn, Lee, Diamond, or the song structure which i can't get a comfortable handle on.
So, for that reason -
I LOVED The Fix, and will check out more of Elbow. I should alos say that I adore An Audience With The Pope. but felt utterly unmoved by the band's headline at Glastonbury last year.
Tender - nope, still got that cod-Cockney whine thing going on.
How Soon Is Now - i can never forget Bill Bailey's summing up of Morrissey - that he sings the same three notes up and down, and even the wide-screen technicolour grandeur of this tune can't hide his awful sound. That said, I brook not argument that What Difference Does It Make? represents an oasis of class in a desert of mediocrity - the sheer friving guitars and drums over-ride M's droning noise.
Spirit Of The Radio - nope, always found Geddy Lee's falsetto very odd, and the prog time signatures lose me quickly.
We Used To Know - the Anderson voice again kills it, as does the whimsey of their tumes.
That's Entertainment - Morrisey solo - irredeemable.
You Do Something To Me - I admit my perception of Weller is coloured by my meeting with him once, when he was very rude to me, and I still think Going Underground is a fabulous song.
Neil Daimond - I have always found his lyrics and his strructures to be off-kilter, and I seriously dislike his voice, and his increasingly awful wigs.
Thanks again all for your time and trouble - much appreciated.
My approach to prog. is pretty selective - I don't really like the Foxtrot album at all, but I love Trspass and Nursery Crime. I find the really 'out there' prog hard to get my head around, because I do still love a good 'tune' - which makes a lot of modern jazz a closed book to me. I am mugging up though, becuase I an interviewing Cindy Blackman and Jack Bruce about their new jazz project in Montreal in June.
andy-hughes - I'm glad I'm not the only one who isn't afraid to look uncool and admit to liking a few Genesis albums! Trespass was pure magic to me as a teenager.
Re Morrissey/The Smiths - I never really got the Smiths at the time, but a couple of years back I saw Morrissey performing 'Girlfriend in a Coma' and really appreciated the dark humour
Re Morrissey/The Smiths - I never really got the Smiths at the time, but a couple of years back I saw Morrissey performing 'Girlfriend in a Coma' and really appreciated the dark humour
Related Questions
Sorry, we can't find any related questions. Try using the search bar at the top of the page to search for some keywords, or choose a topic and submit your own question.