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Was Gone With The Wind Racist?
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For more on marking an answer as the "Best Answer", please visit our FAQ.Ludwig, i don't think they had Black plantation owners at the time the story is set, nor indeed Black Generals, they were just getting around to having freed slaves, those lucky enough if you like, to fight in the civil war when it came
as to British slaves, not just the Romans, as i have pointed out, Europeans were taken in large numbers from many ports, by North African Pirates, the estimate of those taken is over a million, over a fair period if time, but those enslaved rarely made it back, i am not just referring to British, but other European people. I will find the link if you like.
as to British slaves, not just the Romans, as i have pointed out, Europeans were taken in large numbers from many ports, by North African Pirates, the estimate of those taken is over a million, over a fair period if time, but those enslaved rarely made it back, i am not just referring to British, but other European people. I will find the link if you like.
one link, there are others
http:// www.bbc .co.uk/ history /britis h/empir e_seapo wer/whi te_slav es_01.s html
http://
I don't really want to get into an argument with the classicist Peter Jones (I did once, and I think it was a draw though he probably thinks he won), but that piece of his isn't as convincing as it might be.
"There may have been as many as 100,000 slaves. Two documents found in London provide the evidence..." Two documents, each about one person; I'm not sure where the existence of the other 999,998 may-have-beens is demonstrated.
"There may have been as many as 100,000 slaves. Two documents found in London provide the evidence..." Two documents, each about one person; I'm not sure where the existence of the other 999,998 may-have-beens is demonstrated.
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ludwig - "Gone with the wind was definitely racist. All the black characters were slaves and servants. Surely some of the black actors could have been cast as plantation owners and army generals?"
In the same way that modern writers and directors would not dream of offending audiences with stereotypical racist characters - so at that time, they would not offend audiences without said racist characters - hence the absence of any black characters in any position of power or authority, or even reasonable social standing.
As I have said, it was of its time, and film makers are of their time, and looking to put bums on seats, not make political and socio-ecconomic points.
In the same way that modern writers and directors would not dream of offending audiences with stereotypical racist characters - so at that time, they would not offend audiences without said racist characters - hence the absence of any black characters in any position of power or authority, or even reasonable social standing.
As I have said, it was of its time, and film makers are of their time, and looking to put bums on seats, not make political and socio-ecconomic points.
Personally, I can't believe we still allow people to open French restaurants.
The French landed here on the south coast, and took over our entire country. The entire population was held in thrall to our invading French masters.
As far as I know, they've never gone home.
Are we supposed to just forget about it? They slaughtered our defenders with bows and arrows, and took over the whole of our land.
That's the last time I eat French fries!
The French landed here on the south coast, and took over our entire country. The entire population was held in thrall to our invading French masters.
As far as I know, they've never gone home.
Are we supposed to just forget about it? They slaughtered our defenders with bows and arrows, and took over the whole of our land.
That's the last time I eat French fries!
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Kirk Douglas was a slave, in Spartacus, as to the evidence, plenty of documentation of the capture and enslavement of British people, they were needed for the same sorts of reasons slaves are needed, to do the work, and if you didn't then your chances of living on were slim, many didn't survive, most didn't make it back to blighty
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Adding to Andy's point;
it is worth recalling that as recently as 1983, Godley & Creme were briefed to produce an 'abstract' video for Herbie Hancock's 'Rockit' (and made the famous and award winning animatronic film) because the record company reckoned they could sell the record to a white southern audience but not if the ethnicity of the artist was clear.
And many of the American rock and roll stars of the 50s and 60s were white kids created by the record companies plying versions of black music for a white audience because the record companies believed the white audience wouldn't accept the original.
it is worth recalling that as recently as 1983, Godley & Creme were briefed to produce an 'abstract' video for Herbie Hancock's 'Rockit' (and made the famous and award winning animatronic film) because the record company reckoned they could sell the record to a white southern audience but not if the ethnicity of the artist was clear.
And many of the American rock and roll stars of the 50s and 60s were white kids created by the record companies plying versions of black music for a white audience because the record companies believed the white audience wouldn't accept the original.
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