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Listener Crossword No 4280 Face Off By Bero
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Another rather gentle exercise with easier than normal clues (perhaps perforce) and a not too complex endgame, neatly tieing up all of the thematic material. Will be interesting to see how solvers interpret "identifiably entered" in the preamble. Thanks to BeRo for a brief but nonetheless enjoyable entertainment.
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For more on marking an answer as the "Best Answer", please visit our FAQ.Thanks for the encouragement Scorpius, I think it was the pre-amble that put me off (and I agree 100% with Perseverer's comment). Strange that some people thought this a breeze yet I found it far tougher than anything recent and the subject matter scored full marks in the 'obscurity' category for me - though ironically I studied one of the poets way back when (albeit reluctantly). Not one of my favourites I must say but I applaud a fiendish endgame from BeRo. Now to dig out the crayons again.
I liked the idea behind this crossword and I think it would have been quite a favourite if the clues had actually been a bit harder. As it was, the preamble and end-game seemed a bit out of proportion. Fun, though, so thanks to BeRo. I'm a bit surprised the word "nearest" in the preamble hasn't occasioned a bit more discussion - certainly two ways of interpreting that for at least one of the features in the verse I'm looking at. (And only one of those reminds me of the most controversial puzzle of 2012!)
Having encouraged s_pugh to persevere, I may have to give up myself. I think I have the right couplet, but finding it thematically treated in the grid is proving a nightmare. I've tried several permutations of word pairs and keep reaching an impasse, partly because there's a letter in the grid that occurs frequently, but, if I've got the right couplet, only occurs once (apart from the theme word).
Also, I don't understand "initially observable"; there's nothing in the preamble or theme to suggest that letters are deleted from the grid, so I don't understand why the word pairs should be only initially observable.
Am I making a mountain out of a molehill?
Also, I don't understand "initially observable"; there's nothing in the preamble or theme to suggest that letters are deleted from the grid, so I don't understand why the word pairs should be only initially observable.
Am I making a mountain out of a molehill?
A good juxtaposition of two examples of the theme. I think that it would be harsh on the composer to suggest that there may be a problem in identifiably entering the letters of the four features. The first poem, now long past its sell-by date, has never been one of my favourites, and the half-dozen lines with which the couplet begins have been used before, because of their obvious cruciverbal relevance, at least once in the Listener, to my knowledge. However, it was delightful to be reminded of the second elegiac verse, which is both amusing and timeless.
I think I've sorted it out now, thanks to encouragement from several above. It did not help that the puzzle is based on a modern rendering, not on what the poet wrote originally, so I was left with a letter over. I think the preamble should have made that clear.
Now to consider the adjective ambiguity that has exercised the minds of some.
Now to consider the adjective ambiguity that has exercised the minds of some.
I struggled over the line with a little help from a friend. To me the preamble crosses the border into wilful obscurity. I don't think after filling the grid solvers should be flawed by near-impenetrable prose, though of course once one has seen the light it all makes sense.
I notice that bits of the couplet appear garbled in the bottom half of the grid and I wonder whether BeRo originally planned a different endgame.
I notice that bits of the couplet appear garbled in the bottom half of the grid and I wonder whether BeRo originally planned a different endgame.
I cannot see the ambiguity that others can see in the entry of one of the four features. Perhaps that means I'm wrong, but it's fairly clear what's going on the poem, and the grid will be a reflection of that. There's a sense in which the title is doubly apt.
I'm not convinced that the preamble says clearly what it means. I think an adjective would have been better replaced by a past participle.
Anyway, it was good fun. It must have been a bit tricky to construct Thanks to the setter.
I'm not convinced that the preamble says clearly what it means. I think an adjective would have been better replaced by a past participle.
Anyway, it was good fun. It must have been a bit tricky to construct Thanks to the setter.
"What"s going on in the poem" would suggest to me that the four should be of a kind, not 3 with an exception! There definitely is an ambiguity here. The only question for me is whether it's intentional. If so, I feel cheated; if not, it's incompetent. So much for my 4th experience with what is regarded as the apotheosis in crossword setting.
I've no idea what people are complaining for -- there's no ambiguity, really, and it's clear what is intended.
I'm not sure if it's going to improve your opinion of Listeners or not, maurice, but stil: BeRo is probably one of the top setters out there and his last offering is likely to be in contention for puzzle of the year. And 2013 was a year chock-full of wonderful puzzles.
I'm not sure if it's going to improve your opinion of Listeners or not, maurice, but stil: BeRo is probably one of the top setters out there and his last offering is likely to be in contention for puzzle of the year. And 2013 was a year chock-full of wonderful puzzles.
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