Quizzes & Puzzles9 mins ago
Marvin'd
69 Answers
This is a new adjective I've invented.
It describes what happens when a wonderful vibrant exciting and memorable song or piece of music has all that emotion sucked out of it, and replaced by an anodine pedestrian plodding samey drudge that has all the evocation of a set of pan pipes.
If you want a demo - listen to Hank Marvin's version of Waterloo Sunset off his new album - the beauty and fragility of Ray Davies's hymn to his city have been replaced by the sledgehammer crud of a housebrick being dropped from a first floor window.
How can one of the most original, innovative, exciting hugely influential and truly groundbreaking musicians of the last sixty years come out with stuff like this?
It's a mystery to me.
It describes what happens when a wonderful vibrant exciting and memorable song or piece of music has all that emotion sucked out of it, and replaced by an anodine pedestrian plodding samey drudge that has all the evocation of a set of pan pipes.
If you want a demo - listen to Hank Marvin's version of Waterloo Sunset off his new album - the beauty and fragility of Ray Davies's hymn to his city have been replaced by the sledgehammer crud of a housebrick being dropped from a first floor window.
How can one of the most original, innovative, exciting hugely influential and truly groundbreaking musicians of the last sixty years come out with stuff like this?
It's a mystery to me.
Answers
Can I give you the version of Hallelujah by Alexandra Burke? Marvined, definitely.
15:04 Mon 02nd Jun 2014
Welshyorkie - "jno I have got to get some credibility back with this Marvining of Black Sabbath's Paranoid ..."
Feeling a little like Frank Skinner on Room 101, I'm not sure i can allow this one in - it doesn;t destroy the sensitivity and feeling of the original - which I am sure was not the Sabs' intention when they made it - to me this is just a cover version with a rather excellent guitar solo, so it doesn't remove all the pleasure and emotion of the original, which is the essence of 'Marvin'ing.
Feeling a little like Frank Skinner on Room 101, I'm not sure i can allow this one in - it doesn;t destroy the sensitivity and feeling of the original - which I am sure was not the Sabs' intention when they made it - to me this is just a cover version with a rather excellent guitar solo, so it doesn't remove all the pleasure and emotion of the original, which is the essence of 'Marvin'ing.