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In My Forty-Plus Years As A Music Writer ...
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… I have seen more than my fair share of classic songs butchered beyond redemption - but I wonder if anything is going to eclipse this!
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For more on marking an answer as the "Best Answer", please visit our FAQ.jno - // a beautiful song, later butchered by the Righteous Brothers //
You don't need me to tell you I'm sure that you are seriously in the minority with that view.
Bill Medley's production (later claimed by Phil Spector once it was a hit) is classic, and the vocal solo is one of the finest ever recorded.
But if you don;t like it, that's fine, but that's not the same as saying it was 'butchered' - clearly that is simply not true.
You don't need me to tell you I'm sure that you are seriously in the minority with that view.
Bill Medley's production (later claimed by Phil Spector once it was a hit) is classic, and the vocal solo is one of the finest ever recorded.
But if you don;t like it, that's fine, but that's not the same as saying it was 'butchered' - clearly that is simply not true.
Paul Potts is a wonderful example of the whole ethos behind Britain's Got Talent, as he clearly has spadefuls of the stuff. The fact that he has not had any "formal" training really is irrelevant - he simply didn't need it to win the show, and doesn't need it to pursue his singing career. It's all relative. Put him up against an unknown but properly trained operatic tenor and he wouldn't stand a chance. His "signature" aria is Nessun Dorma, which of course leads to comparison with other tenors who are famous for singing that, notably Luciano Pavarotti.
Comparing Potts with Pavarotti is pointless.
Comparing Potts with Pavarotti is pointless.
JimF - // The fact that he has not had any "formal" training really is irrelevant - he simply didn't need it to win the show, and doesn't need it to pursue his singing career. It's all relative. //
My point exactly.
Mr Potts' audience probably know as much about opera as I know about cooking a soufflé - and that is the point I am making.
He doesn't need to be technically good, just good enough for the audience that don't care about the finer points, and that's what he does, so good luck to him.
He's a more subtle version of a tribute act - you can't afford to see opera in Covent Garden, so here's a guy who will sing the best bits that you might know, and finish off with a signature emotion-shaker, and everyone is happy.
My point exactly.
Mr Potts' audience probably know as much about opera as I know about cooking a soufflé - and that is the point I am making.
He doesn't need to be technically good, just good enough for the audience that don't care about the finer points, and that's what he does, so good luck to him.
He's a more subtle version of a tribute act - you can't afford to see opera in Covent Garden, so here's a guy who will sing the best bits that you might know, and finish off with a signature emotion-shaker, and everyone is happy.
//just listened to John Cale's version - superb.//
Glad you liked it Shirley. It's the one featured in Shrek (Although they couldn't clear it for the soundtrack album, Rufus Wainwright recorded a version for that)
You might like his debut album, Paris 1919. It's definitely his most accessible record. The title track is one of my all time favourite songs.
Glad you liked it Shirley. It's the one featured in Shrek (Although they couldn't clear it for the soundtrack album, Rufus Wainwright recorded a version for that)
You might like his debut album, Paris 1919. It's definitely his most accessible record. The title track is one of my all time favourite songs.
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