News9 mins ago
Rebus
What an unlikeable character they have made him, in a programme unremittingly grim and violent. And how was the language deemed suitable for Saturday night viewing? Having been taken aback by the first episode, out of interest last night I counted 25 variants of the F-word and FOUR C-bombs. Horrible.
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For more on marking an answer as the "Best Answer", please visit our FAQ.We had to watch the first episode twice because we found it difficult to think this was a younger Rebus in a contemporary context as opposed to a prequel. Yes, the language is coarse but that is not inconsistent with the storyline and context. We finished it last night and concluded that it was the start of a compelling new series. Some of the acting was outstanding (Brian Ferguson as Michael for example) although some characterisation was less than credible (e.g. Gill Templar). Overall, though, having almost given up after the first episode I am glad we persevered and look forward to the next series (for there must surely be one).
I enjoyed it.
I didn't watch the Ken Stott series. So nothing to compare.
I tried one book and gave up, so again, nothing to compare.
I liked it, found the character sympathetic, and will watch the next series.
I imagine it's like watching Tom Cruise as Jack Reacher if you haven't read the books, you don't know Reacher is supposed to be six foot five!!
You found the character 'sympathetic' Andy - really?
As all fictional cops nowadays, he's dark and troubled and plays by his own rules, but are we meant to admire how violent he is, be in awe of it?
The beginning of the first episode has him climbing into an ambulance and smashing up a crime lord, whom he would have killed him had his superior not intervened (no consequences for him, of course). Later, he punches his brother in the presence of his young daughter, and is also having an affair with the wife of his now-paralysed old pal.
What a charmer!
The transformation of Rebus' brother from parcel-delivery guy to scary mobster is unbelievable and the female parts are underwritten and solely in service to the stories of the men.
And the language still grates.